At this point we see the sheriff take responsibility and overcome his fear of water. The MPR is covered by including “but when the sheriff’s own son is almost killed”, which happens exactly halfway the story. When the mangled body of a swimmer is found on the beach, the town sheriff must battle the mayor who wants to keep business as usual over the 4th of July weekend but when the sheriff’s own son is almost killed by a great white, he must show responsibility and venture into the ocean to kill the monster. In the following longer version of the Jaws logline, we are including the theme or character arc, as well as the MPR (expressed by “BUT WHEN”): If you are not bound by the rigid 25-word rule, you may want to include your story’s Mid Point Reversal (MPR). a self-centred weather man) the arc (must take responsibility), or both. You can do this by including an adjective (e.g. If your story has a transformational character, do include the flaw in your logline as it is a key to the movie’s theme or thematic premise.
the ACTION/GOAL: to stop the killing monsterĪ languid sheriff must take responsibility when a great white terrorises the beaches.Ĭheck out these videos in which I go deeper into the structure of loglines, and then try your hand at some loglines of your own.the MAIN CHARACTER: a small-town sheriff.the MAJOR EVENT: a swimmer is brutally killed by a shark.
To help you focus on those elements that satisfy a pro that you have the goods for a solid story concept, we include a standard set of elements: Essential inclusions To this purpose, you are going to give away as much relevant detail as possible within that one sentence. These serve to convince an industry pro that you have a promising story. Writers should be most concerned about development loglines. This sheet will simplify the process, and hand you an effective formula. Writing a logline can be a real challenge.